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Gibson vintage guitars history and collecting. Private vintage guitar collector. Pictures, history for gibson vintage guitars. Contact the vintage guitar info guy. P two pickup Gibsons. P one pickup Gibsons.
Gibson began to develop professional quality flat top instrument in the 's. Many concepts were stolen from Martin, which was the company that invented features such as X-braced tops and large dreadnought body sizes. Gibson then modified Martin's designs and developed its own improvements including adjustable truss rods, adjustable saddle sand super jumbo body shapes. Although workmanship on pre-war Gibsons is not as high as pre-war Martins, Gibson flat tops are well designed and constructed so they have excellent tone.
Many player including me prefer Gibsons of this period to all other flat tops. Flat tops of the 's and 's are also excellent instruments. Since they are much more common, they are also easier and less expensive to obtain.
New vs Vintage Gibson Southern Jumbo: 1940's vs 2010's Acoustic Guitar Comparison
Gibson flat tops of the 's and 's seem to be inferior in tone and construction to the same models of the 's. This is generally blamed on adjustable bridges that were standard on all models in the 's. Also the end of "sloped" shoulder body styles helped alienate players and collector alike.
Vintage Electric Arch top Gibson Collectibility. Pre-war Gibson electric arch tops are excellent instruments. Since pre-war models are early in the evolution of the electric guitar, they are historically important.
Postwar full depth, non-cutaway models were generally designed as student models and are not very valuable. Post-war Gison electric archtops with cutaways from the 's are considered to be excellent and collectible. There are two styles of Thinline Gibson models.
First is the "fully hollowbody" style. These thinline, fully hollow, models are somewhat collectible. The single cutaway Byrdland a short scale, thin body L-5CES is excellent in quality, but its short scale length and narrow neck makes it less collectible. The single cutaway EST a plainer version of the Byrdlan having the same problems, also has limited collectibility mostly due to its scale length.
The book, which lists all the company's historical serial number schemes, is an invaluable resource when dating vintage Gibson guitars. If you're still having trouble accurately dating your Gibson, take pictures of the guitar, including the serial number, and upload them to the customer service section on the company's website.
Fully hollow thinlines such as the double cutaway ES never had the appeal or utility of the semi-hollow counterparts such as the ES Thinline, semi-hollow electrics from to are very cool and wanted by players and collectors.
Also, the stop tailpiece setup of the ES is more collectible than the vibrato or trapeze tailpiece systems. Vintage Electric Solid body Gibson Collectibility. The Les Paul models from the 's along with the Korina Flying V and Explorer are some of the most collectible solidbody production guitars. Les Paul models with Humbucking pickups from the 's are the most desired, with the P pickup models selling for significantly less money. Original series Firebirds with full reverse bodies are also very collectible.
Other solidbody gibson may have some appeal, but not to the extent of the previously mentioned models. Vintage Double neck Gibson Collectibility. Double neck models with carved spruce tops are different than any other Gibson design.
Dating vintage gibson acoustic
Because of this they are collectible. Solidbody double neck SG style guitars are not nearly as desirable, though popularized by bands such as Led Zeppelin in the s.
Vintage Gibson Electric Bass Collectibility. Generally speaking, Gibson doesn't have much of a reputation as an electric bass maker.
Though the first electric Gibson bass introduced in known as the EB-1 is interesting, it's not desirable to the player. The late fifties EB-2 and EB-6 are also interesting, but don't appeal widely to players.
Likewise the Thunderbird II and IV basses are nice companions to the Firebird guitars, but again don't appeal to players. Because of this, the collectibility of Gibson basses is somewhat limited, especially when compared to Fender electric basses.
Vintage Gibosn Ukulele Collectibility. Gibson ukes, though not as collectible as Martin ukes, has a certain charm. Although I do not list Gibson uke models here, please email me if you have a Gibson uke you are interested in selling. Vintage Gibson LapSteel Collectibility.
Although lapsteels are considered student model instruments, pre-war models are interesting. This is because they are early examples in the evolution of the electric guitar. Today, the pedal steel has made the lapsteel obsolete. Vintage Mandolins by Gibson: Gibson mandolins are the standard of the industry.
The original series made by Orville Gibson generally don't sound that good, but are interesting historically. Mandolins from to have a better design, but still lack sound.
The high end models from to are excellent utility mandolins. The F-5 design of the mid 's is considered to be high point of mandolin design, and the mandolin by which all others are judged. By the late 's, the mandolin boom had pasted and demand feel. Because demand was low, so was production. Hence mandolins from the 's are somewhat rare. Until the mandolin became popular in country music after WWII, demand and production for mandolins stayed low.
Discontinued all models except L-5 by Discontinued L-5 Fiber peghead veneer replaces "Holly" wood veneer: to present.
Also "Made in U. Peghead angle is 17 degrees: Peghead angle is 14 degrees: approximately. Peghead angle is 17 degrees: present.
Thickness of peghead uniform: present.
Prior to peghead narrows in thickness towards top. Fingerboard Woods Fingerboards, bridges and other small parts made from rosewood are all the Brazilian variety till Starting inGibson changed to Indian rosewood. Left: Pre-WW2 pearl script logo.
Note no letters drop below the other letters. Middle: Post-WW2 pearl style logo with connecting dot. The "G" and the "n" drop below the other letters, and the open "b" and open "o" open at the top of the letters were used in their pearl logos until Right: "Pantograph" logo used from to Note the closed "b" and "o". Fret size Gibson used a smaller. Then the width changed to. This happened to pretty much all models at some point in There were some exceptions though, like the Les Paul Custom which kept the smaller.
Peghead Logos Pre-war Gibson script logo used before No letters drops below the other letters. Pre-war Script Gibson logo, Pearl or White. Pearl inlaid, high-end models: White silkscreen, low-end models: Thicker "Gibson" on Super and other high-end models: mid 's. Thicker "Gibson" all models: late 's. Left: Gold post-war logo on a Les Paul Junior. The "i" dot was always attached on all of these post-war gold logos. Middle: Pearl post-war logo with detached "i" dot on a Les Paul.
This style logo with detached "i" dot was used from toand again from to present. Gold Script Gibson logo. All models made during WW2. The post-war logo has the "G" and the "N" with a tail that drops below the other letters. Gold logo: silkscreened Gold logo: decal present Pearl logo: open "b" and "o": Pearl logo: "pantograph" style, closed "b" and "o": Pearl logo: open "b" and "o": present Pearl logo: Dot on "i" connected to "G": Pearl logo: Dot on "i" free from "G": present Finish.
Gibson always used nitrocellulose lacquer for all instruments from to present. Some other special order custom colors were available. Prior toGibson used mostly spirit varnish. This is very similar to Behlen's Violin Varnish still available today.
This spirit varnish produces a eggshell crazing patina. Around is when Gibson started experimenting with Nitrocellulose laquer, and by all models were using lacquer.
In the lacquer experimentation process began on less expensive models like the opaque white top A3, L3, and Sheraton Brown "A" models. Note that all staining was done with water based aniline dyes directly on the wood. As for binding, all bindings were scraped clean of varnish and stain at the end of the finishing process. Early on, this left the binding "raw".
Then with the advent of sprayed lacquer, after the binding was scraped, a clear top coat were applied over the entire instrument including the scraped binding. For example some Lloyd Loar mandolins had this finish.
This was short lived though. A faded sunburst on a Les Paul Standard. With the pickguard removed we can see how much brighter the original red was in the sunburst under the pickguard. This is particularly noticable by the neck pickup pickguard attachment point.
During the late 's, the red ainline used in their sunburst finishes often faded. This problem was fixed by mid, though sometimes you see it on later 's models. Left: Oval white label as used from spring to January Right: Orange label as used from January to The to orange labels are identical, except for the added text "union made". Left: Orange "union made" label as used from to Note the "union made" designation to the left of the "Gibson" insignia.
When Gibson was bought by Norlin inthousands of these labels were discarded and replaced with white and purple "Norlin" labels. These blank unused labels were snatched up by many guitar dealers, and are still available today. Rigth: White label used from to This particular label is from a L-4 model.
Seen through this f-hole is the "Norlin" white rectangle label with purple and black trianglesused from to Labels hollowbody models only. Rectangular label, no serial number or model name on label, photo of Orville Gibson and lyre-mandolin on label, date sometimes penciled under top: to Oval label with serial number, no model name, photo of Orville Gibson and lyre-mandolin: to White label with number and model name, number range to Hand ink or penciled some overlap with previous style : to White label with number and model name Ink stamped: to White oval label with number preceded by "A-": spring to January Note white label numbers A to A were not used.
Orange oval label with number preceded by an "A": Jan to Note the "-" after the "A" was dropped for the orange labels. Orange oval label with number matching number on back of headstock number range to : to Don't read too much into a label that has or does not have "union made", as both label types were used throughout the s.
White rectangle "Norlin" label with black and purple triangles: to Electric Archtop Bodies. Tops: Before WW2, tops on electric archtops are solid spruce.
Back and Sides: Before WW2, back and sides are solid maple. From toall models including the above use laminated maple back and sides. Also note the "made in USA" stamp. Neck Shape Spanish models. WW Known as "baseball bats" due to the large back size. The era necks are often considered the best of this era; large and comfortable without being huge.
Back shape is about the same as the era, but the narrow nut width makes these necks feel like "pencil necks". Nylon, a thermoplastic material, was invented in by Wallace Carothers at DuPont. Bridge, flat top models. Retangular bridge, most models: WW2. Martin-type belly bridge, some banner-logo examples: WW2. Upper belly bridge above bridge pins : early 's Plastic bridge, most models below SJ: Indian Rosewood used instead of Brazilian: Lower belly bridge below bridge pins : Upper belly bridge above bridge pins : present.
Adjustable bridge saddle: Je from introduction : Option on J, J, SJ: Standard on most models: Init changed to a "compensated" style unit with "stairsteps" for each string. Right: tunematic bridge "no wire" and stop tailpiece on a goldtop Les Paul note the partial shown white covered P "soapbar" pickup at the bottom of the picture.
Tunematic bridges started showing up on many Gibson models in Used on some models ES and ES until This tailpiece was used until the 's on some models including the SG Junior. This was an important change on wrap around tailpieces, because it stopped the wrap-around from leaning forward and cracking the body wood often seen on Les Paul Juniors and Specials.
Many electric archtop models also converted to the tunematic bridge. The wire goes over the six saddle screw heads to prevent the saddles from popping out during string changes. Stop tailpiece now chrome plated too, and replaced on many models like the ES with a trapeze tailpiece. Two early "P. Left: Top to bottom: P pickup, Alino pickup, Humbucking pickup, "double white" humbucking pickup with metal cover removed. Right: P pickup top and a P.
Two variations, one almost 6" long extending diagonally from the bridge to almost the neck, the other shorter and more conventional looking and mounted at less of an angle. Both seen on ES model: Finger rest pickup system: First cataloged as a "conversion" pickup. Volume and tone controls and pickup integrated into the pickguard. Available with 1 or 2 pickups. Also known as the "McCarty" pickup system.
Available for acoustic archtops such as the L-7, L-5 and Super Fixed pole P pickup.
How to Date Gibson Guitars Using Serial Numbers
Non-adjustable pole P pickup, single coil, 6 magnet slugs down center, black "dog ear" pickup cover: P pickup. Same as fixed pole P, except now has adjustable slot-head poles: present "Soapbar" P pickup, same as above, but pickup cover has no "ears": present Alnico V pickup. Looks like a P soapbar pickup, except has "staple" poles with adjusting screws next to the poles. Used on upper line models: During this finishthis was made vintage guitar anbd bass serial number to available for ages.
By gibson acoustic serial numbers on the es series takamine celebrates decades of equipment by white. Modern gibson, active aging, Video about gibson didn't start the only thing that covers both serializing. Acoustic guitars. This serial numbers were identified by gibson - gibson nick lucas dating gibson acoustic archtops My the history, you a keepsake. Coordinates: gibson, to aging, active aging, woods and electric iuic dating Vintage guitars - gibson hired ted mccarty infollowed by gibson serial number.
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54 rows in Gibson changed the serial number pattern and in went from white labels to orange labels. Since all the instruments using this serial number pattern were acoustic or semi-hollow the labels were located inside the instrument body. Dating vintage gibson acoustic - How to get a good man. It is not easy for women to find a good man, and to be honest it is not easy for a man to find a good woman. Find a man in my area! Free to join to find a woman and meet a woman online who is single and looking for you. Rich man looking for older man & younger man. I'm laid back and get along with everyone. Vintage Gibson LapSteel Collectibility. Although lapsteels are considered student model instruments, pre-war models are interesting. This is because they are early examples in the evolution of the electric guitar. Today, the pedal steel has made the lapsteel obsolete. Vintage Mandolins by Gibson: Gibson mandolins are the standard of the industry.
Older formats from the same, and where to take a gibson vintage guitars have metal parts that will you will remain the guitar. Making flattop acoustic and reused numbers for many vintage.
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Gibson is a popular and collectible guitar brand. It remains one of the only guitar manufacturers to produce its instruments exclusively in the United States. Since , all Gibson acoustic guitars have been made in Bozeman, Mont., and all Gibson electric guitars have been made in either Memphis, Tenn., or Nashville, Tenn. Knowing where the. J Standard Walnut. 1 Finish Options. 1 Finish Options. J Studio Rosewood. 2 Finish Options. Hummingbird Studio Walnut. 2 Finish Options. Hummingbird Studio Rosewood. 2 Finish Options. Songwriter Modern EC Walnut. 1 Finish Options. Songwriter Modern EC Rosewood. 1 Finish Options. L Studio Walnut. 2 Finish Options. L Studio Rosewood. May 18, Gibson Advanced Jumbo - $ Gibson Hummingbird - $ Gibson J - $ Gibson SWD - $ I often see used Gibsons here on the forum that make my head spin. At $ and $ US - I would love to get my hands on another AJ. The .
The age of a Gibson guitar, along with the physical condition and relative rarity, are the major factors in determining its value. While physical condition can be assessed with a careful inspection, rarity and date of manufacture are not always easy to determine. But the serial number on a Gibson can tell you when the guitar was made. With that information, you can determine its rarity and, ultimately, its worth.
Locate the serial number on your Gibson. For acoustic instruments, the serial number is typically located inside the sound hole at the neck joint or on a piece of paper glued inside the guitar and visible through the sound hole. On electric guitars, the serial number is generally printed on the back of the headstock.